Sunday, November 29, 2015

Festival plan first draft



Distribution Plan
Festivals

5 Festivals

·      Crossroads Film Festival. Jackson, Mississippi
o   Named after a musical myth, the Crossroads Film Festival has a musical twist to it. They have entry categories for both short documentaries, and student films (both for a low price). The festival brings in music videos and local performers, so the theme of musical performance in our film will fit well.
·      Film Score. Knoxville, Tennessee
o   Film Score only admits films with either a standout sound design or musical narrative, perfect for our documentary. There is a short documentary category available for a reasonable price.
·      Apex Short Film & Music Video Festival. Rochester, Minnesota
o   Accepts only shorts, has a split focus on films and music videos. Inexpensive entry.
·      Longleaf Film Festival. Raleigh, NC
o   Hosted by the North Carolina museum of History. Has a focus on NC film.
·      Macon Film Festival. Macon, Georgia
o   Has a music documentary category, with a minimum of 5 minutes. Focuses on music and the southeast, seems ideal for our film.

Regional Festival
·      Cucalorus Film Festival. Wilmington, NC
o   Local, seems to have an appreciation for Wilmington filmmakers and local student’s shorts. Really want to get in.
Free Festival
·      Emerge Film Festival of Maine. Auburn, Maine

o   It’s free and I know people there, that’s about all I got.

Sunday, November 22, 2015

cucalorus

Cucalorus was really awesome. I was lucky enough to have a Pegasorus pass this year, and I attended several screenings, including several shorts blocks. I really enjoy attending shorts blocks because it reduces the risk of randomly selecting screenings at a festival. If I don’t like a film, it’ll be over in a couple minutes. I also really enjoy them because I like the short form film as an artistic medium, and I think there are a lot of stories that are better suited for, or can only be told through, short film. One screening I went to, I believe it was called the Devils Tongue Shorts, was a midnight screening of horror shorts. The director of the best short in the block was in attendance, and he spoke before the screening. He said something that I really agreed with about shorts, that most horror movies take a concept or characters that would be wonderfully suited for a 30 minute run time, and stretch it into an hour and a half. The stories lose their power when they are slowed down to fill a feature length time slot. His short, The Babysitter Murders, was a fun and creepy spin on the cliché horror plot of the babysitter being attacked by a murderer while at home alone with a kid. It had amazing production value and a crazy twist that I didn’t see coming. It was a wonderful illustration of the director’s point about length. And, as tends to happen at cucalorus, several of the other shorts were really, really, weird.

            I cant really remember the names of all the other shorts blocks and screenings, because I attended so many, but some were called Trinidad Scorpion, some kind of pepper name or something, and another one that happened on Saturday morning. They were all pretty good, and I was very inspired to work on some shorts of my own.

Tuesday, November 17, 2015

Week 12

I recently changed direction of the documentary. Originally, I was focusing on the performers themselves and what we could learn from them about their community and practice. now we're focusing on the event of myself and my crew members performing downtown. shooting our remaining footage will be a struggle, we have a shoot scheduled for wednesday night, and we'll shoot twice after thanksgiving break. after that, what we have will be what we'll have, and I will do my best to construct the documentary i want to present from that available footage. This project has been made harder at every turn by weather, scheduling issues with crew and subjects, and crew issues that i won't go into on a publicly available blog. I am confident enough in myself to complete a documentary that I would be proud to submit to festivals.

Wednesday, September 30, 2015

week 6 post

This week, we put together a short cut of our b roll from last week. it was kinda rough, as i edited it myself since my editor was too busy, but i think it's goo enough to offer a glimpse of what's gonna be happening. we've got plans set to shoot this coming saturday, including permissions, equipment, and some funds to pay for food and stuff for the crew.

Monday, September 7, 2015

Expert bios and questions

due to the nature of our performers and our documentary, not a whole lot is known about or experts on the busking side of things. this is one thing we will learn through our interviews with them.

some generic questions we will be asking all of them are:

1. what made you start playing/performing? can you expand on your background with your instrument/skill?

2. why perform downtown?

3. is there any particular reason you choose specific spots downtown?

4. do you ever run into any problems with local people? especially on weekend nights when they're out at the bars?

5. have you ever run into trouble with the law for performing downtown?

6. are there any stories of good, bad, or unusual experiences downtown that you'd like to share?

7. is there anything else you'd like to share that we haven't asked about?

8. what advice would you give to someone like me who has never done this before, but is soon going to try it out?

Sax Man: we have, as yet, not found out much about the Sax Man, including his real name. he is a very friendly man and a very talented saxophonist who is always very willing to talk with us. all i could dig up on him without an interview is that I believe he has been robbed while "on the job" and i plan to ask about this in his interview.

specific questions:

1. (if the robbery victim was indeed sax man) describe what happened when you were robbed

2. were police responsive to your situation?

3. what measures do you take to keep yourself safe downtown?



Poppa Soul: Poppa Soul is a bit easier to find info on online. he is often booked to perform at local venues along front street as a blues guitarist. very kind person.

Specific Questions:

1. how long have you played guitar? and how did you develop the unique style you use today?

2. (several youtube videos of him are available online, as well as a few mentions on TripAdvisor) are you aware that you have an online fan base? How does it feel to know that there are folks who make a point of coming downtown to see you play?




Sunday, August 30, 2015


Through our research into our subject matter for Down on the Corner, we have discovered that there are a handful of other projects previously done on the subject of busking. however, these films have mostly centered on one or two individuals, or an event such as a tour/travel documentary or a festival type setting. ours will be different by focusing more on an area and everyone involved in the process/community of busking within that area.

as for participants, Luke and I have approached several musicians, performers, and entertainers downtown about participating in our doc and most all of them have expressed interest. we will now begin to make more solid contacts and begin scheduling interviews.




below is a copy of our treatment.





Treatment “Down On The Corner”

Director: Rob O’Connor
Producer: Luke Lamar

“If a street performer makes you stop walking, you owe them a dollar.”

In a market already saturated with bio-pics of individuals, “Down on the Corner” will provide insight into the legality and community of street busking in Wilmington, NC. Interviews with lawmakers, city officials, and police will establish the legality and rules associated with street performing. A participatory style of documentary will have our narrator spending time with many prominent street performers from the Wilmington area as we provide a platform for them to tell their stories to the public. Finally, we will apply all that has been learned throughout the documenting process to stage our own busking performance downtown, in an effort to illustrate the process and lifestyle for the audience.
            Though there are other documentaries featuring the various performers in numerous towns and cities, “Down on the Corner” is set apart by its focus on larger themes. This documentary will highlight the relationships between the buskers and the law and city, their sidewalk audiences, and each other. Not many other works have been produced with this focus in mind.
            Our intended audience for this film is somewhat wide. A large portion of our audience is the local population of Wilmington. “Down on the Corner” will provide insight into the lives and stories of some local fixtures that they see weekly, and yet know little about. On the other hand, we also target musicians, performers, pop culture enthusiasts, and appreciators of good entertainment. Anyone who would stop and watch a performance on the street.
            Our main stylistic element is the participatory filming style. The narrator will be present on screen as a “character” driving the documentary format forward. The only featured commercial recording will be the song “Down on the Corner,” by Creedence Clearwater Revival, as an introduction and theme setting piece about busking. The rest of the soundtrack will be mixed from live performances we experience while filming, as well as any necessary original scoring of our own.
            Robert (director) and Dustin Fleischmann (DP) have worked together pefore on a lyrical documentary about dance as an art form. It was filmed in a similar style and intention to this documentary. Luke (Producer) and Aedan Coughlin (AD) also have experience shooting and collaborating on documentaries in the area (The Beast).
            The film will be submitted to festivals as our distribution. We will target festivals focusing on local North Carolina Filmmaking, as well as those internationally that focus on music, performance, and similar human interests.
            Preproduction has already begun on the project, several performers have already been approached about participating and they have expressed interest.

            Our documentary will be funded by several local sources. We have partnered with local businesses to plan fundraisers and will be launching an online crowdfunding campaign.